Sound Designer — Re-recording Mixer — Dolby Atmos
Sound designer and re-recording mixer for feature films, Dolby Atmos specialist, based between Normandy, France and Phnom Penh, Cambodia.
For fifteen years, shaping the sound of Asian independent cinema — from Cannes to Sundance. Sound that does more than accompany the image: it precedes it, exceeds it, haunts it.
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Vincent Villa is a French sound designer and re-recording mixer based between Normandy and Phnom Penh. Over fifteen years, he has become one of the most distinctive voices in international independent cinema — a creative collaborator who shapes the dramaturgy of a film from script to final mix.
His collaborators include Davy Chou, Lê Bảo, Trương Minh Quý, Kavich Neang, Boo Junfeng, Bradley Liew, Kamila Andini and Rafael Manuel — directors whose films have screened at Cannes, Berlin, Venice, Sundance, Locarno, Rotterdam, Busan, Tokyo, Singapore, Toronto and San Sebastián.
In 2019 he co-founded Kongchak Studio in Phnom Penh — Cambodia's first professional sound post-production studio and its first Dolby Atmos mixing facility.
"When a sound can replace an image, remove the image. The ear goes in, the eye goes out."Robert Bresson — Notes on the Cinematographer
Sound design begins at the script, not in post-production. Every location has an acoustic signature; every scene, a listening point. Working with directors from pre-production onward, sound becomes narrative architecture — able to create tension with the image, not merely support it.
A soundtrack is a meta-language. It can stretch time, expose what images conceal, and place the audience physically inside a character's inner state. In Return to Seoul, sound charts an adoptee's displacement; in Guo Ran, it amplifies or muffles a mind under pressure.
In Taste, a static shot of a hot-air balloon becomes a metaphor of exile — through a compressor breathing like a human being, waves, wind, silk. When sound replaces the image, the frame dissolves. The ear goes in; the eye goes out.
Exquisite technical qualities — in particular, Vincent Villa's intricate sound design.
Immersive, pinpoint sound design — some of the most affecting this year.
Perfectly modulated — a symphony of room tone.
An amalgamation of brilliant visual images, sound design and choreography.
A major shoutout has to be given to Vincent Villa's sound design — the thwack of a golf club swung with high force, the echoing of voices inside spacious halls versus their bare tones lost outside in the wide-open space, the droning on of machinery that maintains the artifice — all the elements for a fully immersive journey into a twisted Wonderland are elevated thanks to the sound.
French sound designer Vincent Villa creates an immersive soundscape that is never intrusive, but plays with sound levels to punctuate the elements of a scene or the mental state of the characters.
There's a kind of ASMR quality to Vincent Villa's sound design, which can turn the most unassuming noises into aural spells.
Vincent Villa's spellbinding sound score. A revelation.
His crisp sound design either amplifies or muffles her state of mind as circumstances dictate.
Made meditative and magical through textured sound design that celebrates the cinema sound systems.
Sound design deftly amplifies the film's dreamscape, expanding the maze of associations each image crackles with.
His sound means we can hear the water even when we cannot see it, feel it when we can do both.
Sound engineer Vincent Villa who unceasingly records the bustling clamour of contemporary Cambodia.
dir. Lê Bảo
International Competition, Locarno 2026 — A Window on Asian Cinema, Busan 2026
dir. Rafael Manuel
The Philippines’ official Oscar entry — Best International Feature 2027 · US theatrical release, Kino Lorber · Busan 2026
dir. Kamila Andini
Indonesia’s official Oscar entry — Best International Feature 2027 · World Premiere, TIFF 2026 Centrepiece · Busan 2026
dir. Woo Ming Jin
Malaysia’s official Oscar entry — Best International Feature 2027 · Centrepiece, TIFF 50 · Window on Asian Cinema, Busan
dir. Nelson Yeo
International Competition — Locarno 2026
dir. Polen Ly
Cambodia's official Oscar entry — Best International Feature 2027
dir. Rae Red
Netflix worldwide — Oct 29, 2026
dir. Sakhya Byamba
Vision — Asia, Busan 2026
dir. Boo Junfeng
Feature — in post-production
dir. Danech San
Debut feature — entering post-production
Co-founded in Phnom Penh in 2019 with producer Loy Te, Kongchak Studio is Cambodia's first professional sound post-production studio — and the country's first facility equipped for Dolby Atmos mixing.
The studio has become a regional benchmark for immersive audio across Southeast Asian cinema, serving festival features and global platform originals alike. In 2026, four films mixed at Kongchak were selected as their countries' official entries for Best International Feature at the 99th Academy Awards — for Cambodia, the Philippines, Indonesia and Malaysia.
From production sound strategy and sound writing at script stage, through design and editing, to final Dolby Atmos delivery for theatrical and streaming — the full chain, under one roof, between Phnom Penh and Paris.
Available for premium series and feature film projects — theatrical and streaming, worldwide. Representation inquiries welcome.